Artist’s Statement:
My recent paintings speak about the dimension “in between” two entities. I am interested in the interaction between humanity and nature, between the inner and outer worlds, between reality and imagination. Opposite forces between two worlds bring attention to emotion, imagination and sensation and they evoke thoughts of new possibilities. The bridge “in between” inspires me to explore painting further.
I attempt to paint the world “in between” hands and their environment. Because I want to leave room in my work for interpretation and suggestion, I combine representation and abstraction in my work.
I experiment with traditional painting techniques together with variety of materials to create “collages” of paintings. I enjoy working with the “unexpected and expected,” “take and add” and with layers.
I often use mirror images (or reflection) of hands and their surroundings in my paintings. It allows me to imply ideas about reality and/or illusion and to make new discoveries. The mirror (water and other reflective objects) represents for me the bridge “in between” two worlds. One world reflects the other. Despite all differences, they cannot exist without each other. Both worlds must coexist as one entity in order to perceive each other and themselves.
For me, the invisible world “in between” is timeless, spaceless and limitless. In this world there are no confines, only an ever expanding promise of change, as questions become our answers.
I found Rainer Marie Rilke’s poetry: “Hands are complicated organisms, a delta in which life from the most distant sources flows together, surging into the great current of action” revolutionary and inspiring.
It reinforces the need to re-think many issues about humanity, its origins and evolution and what humanity means in our world. I try to convey memories, imagination and emotions in my work which I believe are evidence of our humanity.
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